A Voice Apart

Lately, we have received (in our studio/clinic) a fair amount of people with various voice/vocal injuries caused by numerous forms of accidents. Some of them even had been in a coma for a number of months and their relatives were advised that they may never come out of it; and thus will continue their existence in a vegetative state… Thank God, some of them proved the doctors wrong and did come out not only from their coma, but even stood up and walked (almost on their own) from out of their wheelchairs… and, nevertheless, on their own two feet! How remarkable is that?  It is indeed! No doubt, those people went through a lot! On this note, it is easy to assume that they are real “troopers” and definitely, needless to say, survivors. Unfortunately, for many of them, outside of other physical challenges, their voice became an issue. Some of them literally lost the ability to talk at all or to talk normally. The conventional doctors, speech therapists and pathologists did

I had a lot of speaking and singing students (especially in the past) with quite severe lisps and some stuttering. It is a known fact that when the stuttering person begins to sing, the stuttering disappears. But the objective here is to reduce that stuttering not just during singing, but also while speaking on an everyday basis. Similarly, when the person lisps and pronounces “F” instead of “S” (for example, “Fnow" instead of “Snow”). Over the years, by osmosis, I discovered that the Vocal Science Technique eliminated that lisp practically on the root, as by “biting above the air”, it produces sound which puts the voice in complete balance when it enters the facial cavities, provided that the lift to those cavities is supported by the abdominal muscles. The enunciation and pronunciation become crystal clear due to all the vowels and consonants getting placed in the right set of muscles. So when the support, structure, placement and projection of the voice is accom

To find out what they are, Please Read On... Due to this digital and very chemically polluted world, we are receiving more and more inquiries about various vocal disorders which people experience on a day by day basis.  Our fruits and vegetables are chemically altered and our chickens (for example) are double-sized, due to be fed and raised with hormones and antibiotics.  All of the above weakens our immune systems and makes us susceptible to all kinds of diseases; and unfortunately, cancer is one of them. Almost on an everyday basis, we are hearing about peoples’ thyroids being removed (usually due to cancer); and then, as a result of that, one (or even both) vocal cords  become paralyzed ! Also, people who have their regular diets consisting of a lot of fat, mucus and acids, could get a problem with the excess of gastric acid in their bodies, which could produce what’s called acid reflux; and which, in turn, may burn ones’ vocal cords and (on top of it) restrict the pers

Evidently, there are a lot of ways to get into vocal problems, but there is only one way to get out of them. And that is by utilizing the Vocal Science ™ method –, proper speaking and singing voice application and The Unique Non-Surgical Voice Repair approach. The components of the Vocal Science™ technique have been scientifically researched for nearly four decades. In this instance, the sound has been treated as a physical material body. Since, nevertheless, any physical material entity travels in circular direction, the sound itself travels in the same pattern. When we are talking about a human being producing sound , the sound will travel in circular direction, (relatively, respectively and prospectively to the person’s height of the body and the width of the body), which will be consistent with the circumference of the circle. The Vocal Science method is totally congruent with the laws of physics and geometry.   As we speak now, in Boston US, there are the best of the

Do you know how to be true to your vocal problems and to yourself for that matter? Do you also know that any drugs, injections or even some natural remedies often, thus  delay proper voice treatment and recovery? If you feel any changes in your voice whatsoever, please don’t ignore it! See a natural health/voice specialist as soon as possible! Don’t convince yourself that everything is fine and almost as good as before. You are experiencing some changes and (let me tell you) there is definitely no change without change. Something had happened! Maybe you had a virus, strep throat or just a simple flue? After recovering from any of the above, suddenly, you have discovered that your voice, per say, had not recovered. You are still speaking raspy and your voice still sounds hoarse. You, meanwhile, continuously trying to justify your voice condition by saying, “Oh. I’m just having a cold, or I just had a cold and my voice is still recovering”. So, some time pass

Nowadays, my practice consists of at least 85-90% of Non-Surgical voice repair clients. It is unfortunate, but it is a fact. One of the reasons is that people, overall, are getting to be not as healthy as they used to be. Our earth is deeply polluted and respectively, and the food we eat and the air we breathe is also very toxic. A lot of voice disorder cases I am receiving are being affected environmentally, and then of course, a lot of them have been misusing their voices while speaking and, or, singing. But, first and foremost, the problem with the majority of cases begins with their inner health inadequacy. Also, a lot of those people are very intense, loud and extremely emotional. Right away, speaking loudly and forcefully, they are putting their vocal cords, and the whole vocal box in general, in great distress. They are straining their vocal cords and twisting their larynx on a consistent, everyday basis. Their posture is usually not intact as

Apparently there is! And yes, it is possible and it is fixable… however, with great difficulty. For comparison, let’s look at classical ballet dancers: Everybody knows that ballerinas have to have a certain arch in their feet, especially females. It is detrimental to their careers if their feet are flat and not properly arched, because it would be difficult to do pirouettes; circling up to 32 revolutions ( fouettés)  with one leg while keeping the whole weight of the body on the other leg while the flat foot is virtually unable to hold the body weight. Similarly for singers, the upper palette (located in the vocal box) also has an arch and curve. The deeper that arch is, the more the "body of the voice" will be projected. The palette arch, however, is not everything, as the sound also needs to be supported simultaneously by the lower abdomen and upper diaphragm, or else the whole lift of the voice becomes obsolete. Singers can avoid cracks in their vo