Vocal Science: The Forensic Science…
We are practicing alternative internal medicine while advocating the assurance of the best speaking/singing voice & nevertheless, non-surgical voice repair.
We Got This!!
Firstly, you, my reader, may wonder why we call Vocal Science the forensic science?
We do so because we are paying a great attention to the minutest details while working on the human voice (speaking or singing - damaged or not).
With our specially-designed speech and singing exercises, we build a, so to speak, “hurricane-proof” foundation for the future “house” to “stand on” and to be “built upon”…
Evidently, broken or not, and first of all the speaking voice (before the singing voice, if required to be worked on) has to be put in balance along with the person’s physical body, mind, and nevertheless the motor skills.
To achieve the desired result while building the proper voice application (ultimate voice/vocal technique), especially with respect to the voice restoration, those aforementioned components have to be able to work in full synchronicity between each other.
While facial muscles will also work in full conjunction and coordination with one’s abdominal muscles, the excessive and harmful use of the vocal anatomy will be minimized exponentially.
In order to restore one’s mechanics (speaking and/or singing), the person has to be able to adopt a “modality" of completely new behaviour.
The latter falls into the neural linguistic programming (N.L.P), which is all about the “installation” of the new modality of one’s behaviour.
Its technique suggests that the sound is a physical material body and it travels as such; i.e., in a circular direction and relatively, prospectively, and respectively to the person’s height, width, and central line of their body (ultimately, the parameters of the central line would be the location of their nose and belly button).
In order to achieve the above, the person’s posture has to be ultimate, while also taking into consideration that the sound is a physical material body and it will travel in the same way as if they would pitch the ball, swim to the aimed destination and/or jump a triple axel or quad on ice.
In fact, in order for the figure skater to achieve the above-mentioned jumps, they will have to take off of the ice (not with the ice, which sometimes happens), in order to achieve the needed height for the triple or quad; and then maintain the complete center while taking off and landing those jumps.
In fact, in order for the figure skater to achieve the above-mentioned jumps, they will have to take off of the ice (not with the ice, which sometimes happens), in order to achieve the needed height for the triple or quad; and then maintain the complete center while taking off and landing those jumps.
On the premise of the above, the former and the latter explain the holistic approach to voice mechanics.
Taking the above fact into consideration, my first priority is to assess the person as a whole.
Taking the above fact into consideration, my first priority is to assess the person as a whole.
Believe it or not, any person’s voice is the least of my concern…, because, if that person is completely intact (in balance and fitness between mind, body and motor skills), our success will be inevitable whereas, no doubt, the human voice will work to its absolute maximum capacity possible.
In a majority of cases, the voice damage occurs specifically because of the lack of understanding of how the human body (and voice, for that matter) are designed to work.
People have very bad posture; they are not familiar with the parameters of their body; they have no idea how to project their voice to be heard while, concurrently, not to ruin their vocal anatomy, or at least avoid the pain and strain.
Now, since our society is completely non-physical, it is becoming exponentially worse.
It is extremely hard to attend to one’s voice when that person is completely out of balance on every conceivable level…
The humans are now way too busy sitting at their computers and “smart” phones checking and conversing on Facebook & other destructive social media platforms…
Also, to elaborate further, I’ve just heard on the radio that the average size of a women’s dress use to be considered size 10 to12. Today, via thorough research, it was detected that the dress size moved up to size 16 and even 18…!!
My question is: What is going to happen in the next few years?
Will we be shooting for size 24 then? I certainly hope not!
All that is caused by the wrong diet and by the lack of physical activities - Too much sitting while searching the internet…
I am sorry to say, but in my “books”, it is extremely pathetic!!
How do we expect the voice to work in the fullest capacity possible when all of the other organs in one’s physical body are completely out of sorts??
So this is my plea to you, my reader
- Put your computer mouse away and go for a walk.
- Watch the food which you put in your mouth
- Go for a walk at every available moment
- Stop your bad habits (smoking, drinking, drugs, etc..)
- Watch your voice while speaking and singing - Don’t scream and force your voice under any circumstance
- And lastly, do not EVER attempt any singing if you are sick with a cold or have a virus of any sort
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