A Voice Apart

It’s no secret that the music industry is currently struggling to find out how to generate revenue in the Internet age. Many have suggested focusing on providing music for video games, films, commercials, etc. Artists such as U2 and Britney Spears have made their concerts into event spectacles that cost a lot of money to produce, which actually end up being must see happenings – and not so much for the musical performance as for the lights, stage setup and the overall concert experience. But these types of “theatre” and “circus” are not options for the new and emerging artists, who cannot afford to invest millions in a stage setup. And even if they could they would never be able to recover the investment as they do not have a big, well established international name yet. Besides which, those big name “Circus” artists are getting older and eventually the industry will need a new generation of real artists. Therefore, the question is: would it not be cheaper to coach them to sing properl

Please, my dear reader, try to imagine a beautiful, sexy woman with long blond hair. Wow! You would say! And then imagine your disappointment when you find out that underneath of a beautiful blond wig is a partially or completely bald head. And that would have actually been fine if you had known about it in the first place rather than being shocked by the sudden discovery. Similarly, the concert ticket buyer is very often shocked when hearing that their favourite lead singer or solo artist does not even remotely resemble what they have heard on the record. The entourage, the show, the lighting and the musicians are exciting and glamourous - but the voice of the artist often sounds like they were run down by a truck and they have been using their “wigged” head as a brake. Then all of a sudden the “wig” falls off and the naked truth is revealed. The singer is “bald” and has been “heavily camouflaged” and apparently at best “toupeed”. Now almost everybody has lost when the truth has been

For the last several years there has been a big concern among music industry professionals that the music industry is broken. Bigwigs and music industry gurus are exclaiming, “How can we fix it?” Last year I attended Music Expo Europe in London, England. The very first thing that was shown to delegates was a documentary film about the problems which the music industry at large is experiencing today. After the film the delegates were asked for their input for a future documentary film on how to fix the music industry. And the delegates, most of whom were also music industry professionals, were suggesting taking the music elsewhere – to the movies, videogames, Internet and what have you. Not one delegate, until I stood up and spoke on camera, speculated as to why it got broken in the first place. I said, “Please pay attention to the artists. Teach them how to sing properly - and in tune preferably, thus, complying with the standards of professional singing – and teach them how to express

As you read the above title you probably asked yourself, “Why would anybody work on the stove when the fridge is broken?” Most would answer that it is absurd and that nobody does it. Well, I have news for you. Music Industry professionals are doing it every day on an every artist basis. Why is that you may ask? Because the truth comes out in the wash. The fact is that the majority of artists cannot sing without syllable by syllable comping, auto tuning and melodyning. After the so-called “authentic” performance has been fertilized in the studio it is time for the artist to go on stage and perform live. And then that performance flops. The audience begins to talk and walk away, while in some cases booing the artist off the stage. Then the so-called professionals from the Record Label often make the “wise” decision to implement a change in strategy. For example, the beautiful artist with long brown hair portraying the image of a pop diva is obviously not working, so let’s get her hair cu