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Showing posts with the label Lisping

Vocal Science: Does Your Speaking or Singing Voice Have a WOW Factor?

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If you think that it does not, ask us how you can obtain it! Everybody lately is speaking about a “WOW factor”. During the vocal competitions like American/British Idol or shows like America Got Talent or Britain Got Talent, judges constantly looking for that WOW factor in their contestants. What do they mean by that? Well, first of all, they are looking for a good song suitable for the contestant and, of course, good and original interpretation of that song. Obviously a sharp performance with the proper technical and artistic merit should move the contestant to the top of his/her category. Similarly, during the speech presentation, unfortunately, a lot of times you want to “fall asleep”, a the presenter sounds monotone; and thus, very boring. He/she often does not have the proper emphasis and inflections in their sentences and, therefore, sometimes you can not even make out what they are actually talking about. This is especially annoying when those so called “presenter

Vocal Science - Do You Lisp, Or Lightly Stutter, Perhaps? We Can Help!

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I had a lot of speaking and singing students (especially in the past) with quite severe lisps and some stuttering. It is a known fact that when the stuttering person begins to sing, the stuttering disappears. But the objective here is to reduce that stuttering not just during singing, but also while speaking on an everyday basis. Similarly, when the person lisps and pronounces “F” instead of “S” (for example, “Fnow" instead of “Snow”). Over the years, by osmosis, I discovered that the Vocal Science Technique eliminated that lisp practically on the root, as by “biting above the air”, it produces sound which puts the voice in complete balance when it enters the facial cavities, provided that the lift to those cavities is supported by the abdominal muscles. The enunciation and pronunciation become crystal clear due to all the vowels and consonants getting placed in the right set of muscles. So when the support, structure, placement and projection of the voice is accom